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Friday, March 7, 2014

God Bless the Teacher (2014)


Them that's got shall teach
Them that's not shall govern
So NCLB said 

and it still is news
Pearson may have,
McGraw-Hill may have
But God bless the teacher
that's got her own
That's got his own

Yes, the rich gets more
While the middle class fade
Fearful that your school

won't make the grade
CCSS may have,
Bill Gates may have
But God bless the teacher
that's got his own
That's got her own

Politicians, you've got lots of “friends”

Crowding round your door
Do what they say,
else the spending ends then
They won't come round no more

Rich corporations may give you
funds for your campaign and such

You can’t help yourself
You just take too much

Obama may have, 

Arne Duncan may have
But God bless the teacher
that's got his own
That's got her own

Mike Pence may have,  

Tony Bennett may have
But God bless the teacher
that's got his own

That's got her own

She just worry 'bout nothin'
Cause she can stand up and say,


"I've got my own."


based on the classic song by:  Billie Holiday & Arthur Herzog Jr.



Thursday, March 6, 2014

Waiting to Exhale: Writing Emergencies


Waiting to Exhale

WRITING EMERGENCY:  An urgent need to record (in written form) something that will matter beyond today...
  "It's misleading to think of writers as special creatures, word sorcerers who possess some sort of magical knowledge hidden from everyone else. Writers are ordinary people who like to write. They feel the urge to write, and they scratch that itch every chance they get."
                                                                                                                                                                             -----Ralph Fletcher
In yesterday's post, I wrote about reading emergencies; but as I so often do nowadays, I've been pondering what this must mean about the inverse--how do reading emergencies relate to writing emergencies.  


If reading is like breathing in and writing breathing out, they are inseparable and reciprocal. 


Somewhere near the top of my list of "school worries" is that somehow we are discounting writing as the exhale portion of breathing.  It seems like writing has become something that we most often assign vs. teach, use to assess vs. explore. Students often write to regurgitate text evidence from stated details or inferences in order to prove that they read closely... or at all.  

When writing is used primarily (or exclusively) as a response to reading or to a prompt created by a teacher (or some "educational" supply company), it seems to be reducing our students' abilities to "exhale" to laborious, stilted gasps.

Let's think (metaphorically) about writing as a physiological exhale.  Exhale means "to give forth."  Are students allowed, indeed encouraged, to "give forth" what they possess in their minds, hearts, and maybe even souls as writers? 

A slow exhale can produce a sense of calm, relaxation--even relieve stress, thus providing health benefits. Writers know that picking up the pen (or sitting down at the keyboard) and producing words can also be healing, promoting mental and physical health.  Writing about personally meaningful experiences has been shown to improve moods, cause immunizations to work better, and actually promote physical healing of injuries.  Writing also supports mental health by helping the writers gain insights and perspectives into their life stories; this, in turn, even resulted in better sleep patterns for many!  

Beyond standards and curriculum, building a writing community in your classroom shares the same benefits of building a reading community.  Students feel safe, "known," and appreciated.  Respect is built, differences honored, the human experience shared.  Students learn to pay attention to details as readers, to generously consider one another's contributions.  Perhaps, most importantly, writing communities foster interest and compassion for others' experiences, thoughts, and dreams.

"Here's the secret to writing:  there is no secret."  (Ralph Fletcher)

So often, teachers think that there is a magic formula to "getting" kids to write, want to write, sustain themselves as writers.  As Ralph says, "there is no secret."  But this IS why I believe in the writing workshop... and that we need to see writing emergencies beyond those that consume us (at least, at times) when preparing for standardized tests.

Writing emergencies are really the reasons many of us write:

  • to reflect
  • to share
  • to notice 
  • to purge
  • to wonder
  • to explain
  • to ponder
  • to remember
  • to explore
  • to observe
  • to evaluate
  • to feel
  • to analyze
  • to question
  • to influence
  • to inform
We write with the hope of somehow adding value to the world that we share.  No matter how small we may think our writing is, it can touch lives when we are not there and long after we're gone or have parted ways... it reminds us of who we once were and of who we can become. It accounts for our time on earth, our learning as individuals and collectively as a society.

Ultimately, we write to become better... better humans, writers, citizens.

Through learning to gather ideas, words, lines, moments... and to explore writing and purposes in notebooks, students will take joy in sharing their experiences and noticings as part of our wondrous world.  Students can develop keen minds through closely examining observations and learning to consider all viewpoints.  Writers have clarity, as (like exhaling slowly) writers know how to slow down to mindfully and intentionally take it all in.  They know what they think and how to articulate those thoughts.  They are powerful.

Teach them to carry note taking tools or devices.  Let them take delight in all there is to see, taste, touch, feel, hear, experience, believe in, yearn for, laugh or cry about, to consider.   Teach them to hear each other and to know that they are heard.  Value their real writing.  

When students write with purpose for real audiences, they find their voices and their rightful places in the world.  They develop caring and compassionate hearts by valuing and connecting to other people and all living things.  They develop critical minds, open to considering all facets of complex problems, capable of global thinking for the greater good.  

So writing well is an emergency.  In our classrooms, in our homes, across our lives.

How will you create a love of writing in your students?

Wednesday, March 5, 2014

Creating Reading Emergencies

EMERGENCY:  An urgent need for assistance or relief

READING EMERGENCY:  An urgent need for reading to relieve boredom, pass time, or to fulfill an assignment



In her new book, READING IN THE WILD, Donalyn Miller discusses "reading emergencies" by reminding her students, "If you don't have a book with you, you can't read even when the time presents itself.  If you carry a book with you everywhere you go, you can rack up a lot of reading time during these reading emergencies."

We all know those moments of having "edge times" of waiting for the next thing to begin and wishing that you had something to read.  Heck, I got through graduate school mostly by reading during edge times--while waiting for kids to emerge from sports' practices, school, friends' houses... waiting for doctors, dentists, and orthodontists... waiting for games/meets/concerts to begin, etc.

Do your students have edge times that create reading emergencies at school?  The most common reading emergency at school probably occurs when a student is an early finisher of other work.  Perhaps other reading emergencies present themselves, such as while waiting to enter an art or music class, the gymnasium, recess, or even during stolen moments after eating lunch?

When might reading emergencies occur in a student's life outside of the school day?  I am thinking that kids and adults share many of the same reading emergency times.

But is it possible to create reading emergencies for our children?

When I was growing up, my dad would not permit the TV to be turned on until after several things had been accomplished, which included dinner, dishes, homework, and other chores.  When TV time did occur, it seemed that the only thing to do was watch the evening news... and then whichever programs my parents chose on our 3 or 4 channels.  On weekends and during the summers, watching TV was out of the question, so cold, Midwestern winter days just begged to be filled. Trust me, this created reading emergencies galore!

I would steal off to my room, the dining room table, or any quiet nook in our small farmhouse to read.  Because of reading emergencies, I recall begging my siblings to assist me with reading my library books every single week, when new books and old favorites were faithfully carried home under my arm.

Soon, I read on my own.  I saved money for books from the Scholastic book club orders, coming to love THE LITTLES and then Beverly Cleary's ELLEN TEBBITS--which led to my discovering a treasure trove of her work in the library.  Ahhh, the pleasures of BEEZUS AND RAMONA, HENRY HUGGINS, RIBSY, and even OTIS SPOFFORD!

Eventually, I came to know Lucy, Mr. Tumnus, and the White Witch... never getting enough of Narnia, I read and re-read it countless times before the age of 11, even though our library's copy of THE LION, THE WITCH, AND THE WARDROBE had lost its dust jacket and was reduced to a shabby, plain, gray-colored cloth cover.

Soon, even Santa knew my love for books, bringing by Oscar Wilde, Roald Dahl, and more.  I bet I've cried for "The Selfish Giant" or the bird in "The Happy Prince" more than most people.  And as for Willy Wonka, I could swear that I was as hungry as Charlie until he found that golden ticket... and I'm sure that I've been inside the chocolate factory countless times!

I was that kid who basically welcomed "assigned" readings in high school; as an avid reader, I trusted my teachers to lead me to new texts that I might not choose on my own.  And so I read  ANIMAL FARM, THE GREAT GATSBY, THE ODYSSEY, NATIVE SON, and A TALE OF TWO CITIES.  My teachers created reading emergencies by assigning texts, and my father continued to create them by boring me with his TV viewing habits.

But all the while, I became someone who reads on my own, "in the wild."

This makes me wonder--in the world of technological devices, how do parents unplug and create reading emergencies to develop their own wild readers?



Tuesday, March 4, 2014

What About NOW?


For thirty odd years I was a newspaper man


I made my living with a pen and a pad

God I miss the smell of paper and the ink on my hands...


I've got a lot to give say can't you see


I'm still breathing and my heart still beats

They took the car but they left the lease

Does anybody want what's left of me?

Boarded up the house, they left the keys

Foreclosed on my city, rolled up these streets

But I ain't checking out, I still got my dreams 
Does anybody want what's left of me?"

 --Jon Bon Jovi, Richie Sambora, Billy Falcon


As a teacher, these lyrics ring true about the state of education in 2014.  Politicians have taken so much from our schools--especially funding--while they continuously rack up the debt to testing and textbook companies--it feels like they have, indeed, taken the car but left the lease, left to do our magic with very little except tests to administer.

While they've done everything they can to figuratively (and sometimes literally) board up our schools, to roll up the very streets that lead to democracy, 

they left the keys--THE TEACHERS.  

They may be counting us out, as they seek to disempower unions, conjure formulas with test companies to make it look like we're inept, and lower the expectations for those entering our field. 

But... We haven't checked out, we've still got our dreams... Though on a daily basis, I hear beloved, exhausted colleagues wondering if anybody wants us... We feel we are all that is left.  Do you even worry about the lease on the car that was taken away or do you just find an alternate way to get there?

What can you do with the keys to the boarded-up schoolhouse?  Most teachers I know would say that as long as they breathe and their hearts still beat, they will not vacate the premises!  As they say on ABC's The Bachelor, "We're here for the right reasons."  

Though the Internet and media are gorged with "articles" touting the merits of private/charter schools, the buyer (literally) should beware:  take time to discover the money and intentions behind each claim, each website.  Look for the truth.  (It's hard to find, but it is there.)  People are waking up to the oxymorons: "reform" and "No Child Left Behind".  

What politicians didn't count on:

--In a December 2013 article in The Boston Globe, researchers found, "When (the researcher) divided the schools she was looking at into public and private categories and controlled for demographics, the schools stacked up quite differently. Public schools seemed to be producing better test scores than private. They were also doing better than charter schools."

The article goes on to quote the researcher, "Once we actually delved into those achievement statistics, public schools turned out to be more effective. Public school students are outscoring their demographic counterparts in private schools...at a level that is comparable to a few weeks to several months." 

--On March 4, 2014 The Network for Public Education has called for Congressional hearings to investigate the misuse, overuse, and multiple costs of standardized testing.

And from Diane Ravitch's blog, check out this information:


  • The Pulitzer prize winning historian, Lawrence Cremin, explained it this way: When the history of the United States is written from the vantage of the middle of the 21st century, and the question asked is what was it that made the United States the preeminent nation in the world during the 20th century, the answer will be found in the 19th century. Cremin argued that it wasn’t the Gatling gun, or the telegraph, or the telephone, or Fulton’s steamboat that made America great. Rather, it was the invention of the common school. That is the gift that keeps on giving.
  • It was the public schools that gave America some mobility across social classes, providing a modicum of truth to the myth that we were a classless society.
  • It was the public schools that changed our immigrants into patriotic Americans.
  • It was the public schools, along with public libraries, that gave Americans the skills and opportunities to develop the kinds of knowledge that Thomas Jefferson had rightly noted is first among the necessary conditions for a democracy to function.
  • It is the public schools that serve most of our nations’ special education students, hoping to give them productive lives, and hoping to give their parents a modicum of relief from a tougher parenting role than most of us have had to face.
  • It is the public schools that primarily serve the English Language Learners who, in another generation, will constitute a large part of the work force that we depend upon.
  • It is the public schools that serve America’s neediest children and their families.
  • And it is the public schools, in the wealthier neighborhoods, that provide a large proportion of American students with a world-class education.
Stand up for every child's right to a free and equal education.  Stand up for your teachers.  What about NOW?


You wanna start a fire
It only takes a spark
You gotta get behind the wheel
If you're ever gonna drive that car

If you wanna take a bite
You'd better have the teeth
If you're gonna take that step
Then get up off of your knees

'Cause tonight we're alive

Who'll stand for the restless and the lonely?
For the desperate and the hungry?
Time for the count, I'm hearing you now.
For the faithful, the believer,
For the faithless and the teacher.
Stand up and be proud...
What about now?

You wanna start a fight
You gotta take a swing.
You gotta get your hands in the dirt
To see what the harvest will bring.

You wanna raise your voice
Don't be scared to breathe
Don't be afraid to hurt
Don't be ashamed in need

'Cause tonight we're alive

Who'll stand for the restless and the lonely?
For the desperate and the hungry?
Time for the count, I'm hearing you now.
For the faithful, the believer,
For the faithless and the teacher.
Stand up and be proud...
What about now?

The leaves fall like reasons that drift through the seasons
'Til dreams are just fade dark and grey.
And all of your plans that slip right through your hands
Are just things that you take to your grave.

Tonight we're alive.

Who'll stand for the restless, for the lonely?
For the desperate and the hungry?
Time for the count, I'm hearing you now.
For the faithful, the believer,
For the faithless and the teacher.
Stand up and be proud...
What about now?
What about now?
What about now?
What about now?




Monday, March 3, 2014

Literacy on the Edges

"In truth, people can generally make time for what they choose to do; it is not really the time but the will that is lacking." 
                                                                  - Sir John Lubbock




In school days that are jam-packed with content to "cover," do you ever wonder what might be getting lost in the shuffle?

If you finished this sentence, what would you say?

 "I just don't have time for..."  

What are the top things on your list?  Why don't you have time for them?  If they aren't important enough to warrant your use of time, why are you able to list/notice them?

Time and again, what teachers across the country say that they just don't have time for students to read independently during class, even with support.  Even more often, they say that they don't have time for real writing instruction and practice, such as that which is done during writing workshop.

What do we seem to have time for and why?  

It seems like activities that are related to reading and writing are abundant--activities seem to address standards, occupy students' time, and might even "please the principal" (if observed) while the teacher attempts to meet the diverse needs of students.  Yet, one of the most interesting warnings I've heard lately came from Lester Laminack at the 2013 All Write!!! Summer Institute.  Lester asked us to consider the difference between doing activities related to content and doing activities relevant to content.  

What did he mean?

When completing a task that is related to reading, a student is using doing something that relates to reading but doesn't really require stamina for or joy in reading.  

When completing a task that is related to writing, a student is doing something that relates to writing but doesn't require the student to think about his/her work as an actual writer. 

Instead, s/he might be reading an assigned text, responding to a text that was just read, citing text evidence, describing how to solve a problem, or writing to a prompt.  Other such activities might be creating a word search or crossword puzzle to go along with a story, filling in workbook pages, drawing a favorite scene from a story, completing book reports, completing graphic organizers, etc.

So how do we make time for relevant reading and writing?

We have decide--BELIEVE TO THE CORE OF OUR BEING--that reading and writing every single day \ matters for every single child and that above all else, it will make a difference.  (Research abounds on this topic:  Richard Allington, D. Ray Reutzel, Robert B. Cooter, Jr., Brian Cambourne, Patricia Cunningham, Stephen Krashen, Timothy Rasinksi, Donald Graves, Donald Murray, Frank Serafini, Irene Fountas and GaySu Pinnell, Kelly Gallagher, Peter Johnston, Alfie Kohn, the NAEP Report, Ann McGill-Franzen, etc., etc., etc.  As Allington and McGill-Franzen say (2013), "There are too many research reports on the relationship between reading volume and reading achievement to continue to ignore the necessity of expanding reading activity for struggling readers.")

Classroom Audits and Edge Times

Of course, you have to consider your use of your reading and writing block times.  How are they used?  Why?  Are you familiar with the value of conferring with students?  Do you know how to use information you gather during conferences in order to propel students forward as readers and writers?  

In their book, No More Independent Reading WithoutSupport (Heinemann, 2012), Debbie Miller and Barbara Moss suggest conducting an audit of exactly how classroom minutes are spent.  Are there minutes spent taking attendance/lunch count, lining up, listening to announcements, waiting outside of restrooms for the class to reappear, waiting for a PE or music class to be released/admitted, during dismissal time, etc?  If so, you can reclaim those as reading minutes, which is called "edge time" (see below).  They also ask us to closely consider the practices that we deem valuable--the activities we guard.  Consider whether the amount of time spent on things like calendar activities (sometimes year after year) is really worth it?  Could it be 15 minutes instead of 27?  

And what about the reading block or writing time?  Are there activities that are being done that are related to reading/writing but not asking students to actually read or write (for authentic purposes)?  In his book, GoodChoice (Stenhouse, 2008), Tony Stead audited his literacy stations to find that his students were only reading for a total of 5.4 minutes during a 40-minute period.  He adjusted his station activities to ensure that each one involved real reading for purposes that students would deem valuable (as did he).

As Donalyn Miller describes in Reading in the Wild (2012), students need to learn to travel everywhere with a book in order to be prepared for a "reading emergency."  (As adults, we encounter reading emergencies when we are waiting for appointments at various offices, waiting for sporting events to begin, waiting for kids to emerge from after-school practices or tutoring, etc.)  As Miller states (p. 11), "Wild readers don't have more hours in the day than other people...it turns out that they read in the edge times, snatching a few minutes of reading time between appointments... life is full of wasted moments in between our daily commitments."  She contends that without frequent reading time to develop good reading habits, students will not learn to read during "Edge Times".  

Think of the way you plan reading and writing times for students as a way of "painting to the edges."  Imagine paintings that you see that consume the canvas from edge to edge and need no frame.  This is how our time should be with reading--or even with writing in notebooks!  Students should never experience a dull moment when there is so much reading and writing to be done!













Sunday, March 2, 2014

Crunching: Testing Your Teaching Palate and Palette

Crrrr---uunch... Crrrrrrr-uuunnnnch... feeling the crunch of standardized testing?  

Let's think of test prep and time spent on testing as a single color on your teaching palette--the palette from which you paint the learning that you deem most important, urgent, and satisfying to your students.  What color would it be?  Does it seem synthetic and lead-laden or made of kind, organic materials?  When you dip into it, it is easy to control, or does it bewitch your teaching powers and cause you to create an adumbration of the analogous colors with which you have so carefully painted all year long?  

Alternatively, think of it as part of your metaphorical teaching palate.   Does the taste linger long after you've taken a bite?  If the bitter taste must surely warn of its toxicity, shouldn't you only ingest it in careful increments, lest you develop a taste for it, desensitizing your ability to discern its acridity?  As we age, our taste buds do lose their sensitivity, and this is why foods that we once found repulsive suddenly taste "better" to us. Can this happen with teaching practices, too?

The receptors from our taste buds to our brains can actually wear out over time! Can this figuratively happen with our teaching choices/tastes, as well?  Can we diminish our receptors that once recognized the most delicious teaching practices to the point that we are willing to ingest and distribute something caustic in nature because we believe it is "good for us?"   Or is it more like a salt dispenser without a lid to control its flow, pouring relentlessly onto wounded teachers causing them to cry out in anguish (all while raising their blood pressure)?

"The job of an artist is to take mundane forms of reality...and make those forms irresistible to the human brain (Psychology Today, 2009).  Can teachers do this with test prep?  Can we do it in our everyday teaching?

 "We need to initiate and actively participate in discussions of what else we could be doing with our teaching, so that our voices will be the lead voices in these conversations."  (Calkins, 1998)  

In 1998, Calkins accurately predicted, "...it is inevitable that scores will go down--people will descend on us from all sides, pushing their instant solutions for improving test scores.  With tremendous assurance, people will point out why our methods have led to the demise of standards, and they will present their prescriptions:  'Buy this program.'  'Follow this teacher's manual.' "Use these materials.' "  We have seen this in our state, particularly from politicians who have even made laws to that effect.

So whether you think of your instructional decisions/lessons as your artist's palette or as a table from which to sample a world of flavors, realize that teachers must value our own critique of our teaching paintings or plates... we each have "...a special responsibility for looking critically at our own methods."  (Calkins, 1998)  

Goodness knows we are first in the line of fire for all of the other critics who deem themselves experts by virtue of having once attended school themselves... or knowing all about art because they once had a box of crayons... or being a gourmet chef because they once spread peanut butter on a Ritz cracker... so we need to know our research and be able to explain our teaching.  Otherwise, "others end up doing this for us, diagnosing what they think is wrong with our teaching and prescribing their solutions.

So...

How do you choose what to leave in, what to leave out (or your painting or on your plate) when standards are abundant, students are increasingly diverse, and time feels like it's shrinking?

Does crunching mean tossing aside what we know about pedagogy and best practices?  

Where is the line between mindfully doing what we know is right for students in the long run and doing what we think/hope will help students be "successful" (as defined by standardized tests) in the short run?  

The reality is that calling standardized tests "high stakes" is almost a euphemism these days.  In my state, even if students pass, schools can still be deemed ineffective if every student doesn't grow "enough."  

Never mind that the tests are norm-referenced--which means that "the goal is to make it impossible for everyone to pass.  And the criteria for doing well on norm-referenced tests are usually kept secret for 'security purposes...' Of course, any one individual or any one local community can work hard and come out ahead of the...norms.  However, if too many communities succeed in doing this... the test will be redesigned with more difficult questions or it will be re-normed so that, regardless of how proficient students might become, half of them will still fall below the midpoint."  (Calkins, 1998 from Cannell, 1987, 1989).  

While students will surely have had to make at least a year's growth in order to pass from year-to-year, this still cannot satisfy politicians intent on marauding public education. These scores are then translated into "growth model data"  to determine which students might not be growing "enough" (regardless of passing the test).  School "grades" are also issued (via an indecipherable formula known only to Jimmy Hoffa).  All of these are used as leverage on teachers' evaluations; ultimately, our salaries or even our jobs (indeed, our very livelihood) can depend on test scores.

So what is a teacher to do?

As a coach, what is a rational way to assist teachers when they are living the dichotomy of choosing between "good teaching" and "doing things" that build better test takers?   (Being good at taking tests really does require a separate, fairly complex set of skills above and beyond the curriculum, not to mention nerves of steel.)

Philosophically, I believe that if we consistently deliver spiraled instruction via best practices beginning in kindergarten, our students will have every possible advantage for achieving academically as well as becoming prepared to be thoughtful, caring citizens capable of critical thinking in a complex world.  As Lucy Calkins stated in her book, A Teacher's Guide to Standardized Reading Tests:  Knowledge Is Power (1998, p. 21),"I have come to realize, however, that the fact that some people want a standardized measure of children's abilities as readers doesn't mean that we must turn reading into something that is not reading."  (Isn't this also true for writing?)  

So what drives our instructional decisions, particularly during the crunch times?

To develop a more sensitive palate while eating, experts tell us to s-l-o-w down.  Doesn't that make sense in teaching as well?  Does a hurrying a child (or teacher) actually create success or widen the gap?  Perhaps time is better used by allowing moments to focus and breathe--time for the mind to process--and actually experience the pleasure of learning.  

Don't allow standardized test prep to become that quick-fix pill that you take that results in not being able to taste your food, decreasing the regeneration of taste buds to the point that you lose the ability to discern between excellence and the downright bad.  When a patient experiences this, you are supposed to talk to your doctor about changing medications or lowering your dosage.  Could you, theoretically, change your approach to test prep or at least lower your dosage so that you can still perceive the sweet, bold, savory flavors of best practices?  

Do you just need to cleanse your palate between test prep and "regular" teaching, allowing for more of the latter?  Can test prep be a thoughtful, daily consideration (like a garnish) to ensure that the presentation is just right?  If test prep were used as a garnish and not as a meal or steady diet, perhaps its aftertaste would not be so bitter or linger for so long.

Did you know that eating the same foods over and over actually diminishes your ability to distinguish taste? Sometimes, you have to step out of your comfort zone in order to discover something that you didn't even know you liked!  

Test prep can result in decontextualizing skills, much like snacking all day long while still eating three seven-course meals.  

Perhaps the same holds true in teaching; by changing even one of the "bad" practices that you may have felt you "had" to enact, you can begin to reeducate your teaching palate, allowing time to breathe, focus, and enliven your teaching "tastes" for best practices--thereby energizing students' love of learning (and your love of teaching). 

Or, in the fine art of teaching, you might just create a true work of art that creates a new image of what education can look like in the 21st century--a blend of images, from hands-on work to digital, from working in teams to independently, from test prep to projects.  The key is the arrangement, the blend.  

Psychology actually plays a role in how we taste food; so doesn't it stand to reason that it can also play a role in our "taste" for teaching practices?  Who do you want deciding the colors on your palette or the foods on your plate? 


Carefully choose the sustenance that you provide for learners, the colors with which you paint, and the arrangement and blending of your practices.  

Only then will test prep take its proper place, allowing your students pleasure in sampling the best you have to offer as a teacher-artist--or gourmet chef, reveling in the beauty of the landscape of melodious learning that you have created.












Saturday, March 1, 2014

Protecting Readers and Writers--Inside the Block

As a staunch believer in the research and wisdom of those who came before me, such as Allington, Cunningham, and Stanovich, I am cognizant of the importance--the urgency--of creating time for real reading and writing.

In Donalyn Miller's new book, Reading in the Wild:  The Book Whisperer's Keys to Cultivating Lifelong Reading Habits, she describes her practice of teaching students to fall in love with books and develop stamina for reading.  In order to accomplish this feat, we must teach our students to "live like readers."  We must acknowledge that reading time at school matters and that time for reading and writing instruction and authentic practice can't be negotiable or the first thing to go in a busy schedule.  Adding to what Donalyn says on p. 10, I would say,

"When providing reading and writing time at school, we must ensure that all students receive equal access."

As with RtI standards and laws, Donalyn discusses the importance of NOT pulling students for intervention work during the reading or writing blocks, as this tends to undermine our efforts in the classroom as well as the effectiveness of the intervention.  Miller says (p. 10), "We reduce the effectiveness of reading interventions when we don't provide our lowest-performing students reading time and encouragement.  Developing readers need more reading, not less."  I would qualify that to mean more reading instruction AND time to read, as well as being present for all writing instruction as well as time to write (the writing workshop time).  Intervention should not supplant the instruction and daily practice that occurs in the classroom.

I have to wonder, "If children exit during classroom reading or writing times (anytime during the reading or writing block), we know it is to students' detriment as readers and writers; so then WHY would teachers allow this?"

What causes classroom teachers to diminish the value of their own abilities to meet their students' literary needs?

One can only speculate.  Here are some thoughts--perhaps...


  • The classroom has yet to be established as a community of readers or writers.  In reading and writing communities, time for real reading and writing is valued; sacrificing it seems unthinkable.  
  • Teachers have yet to learn how to confer with readers and writers in order to learn about their development, thinking, and learning needs.  Conferring is a place where ongoing assessment is embedded.  
  • We need to be sure to teach mini-lessons (and revisit them, when needed) so that students build stamina to become independent readers and writers who can knowledgeably and confidently confer with their teachers about their work.  
  • Students need to learn (via lessons in the classroom) how to talk about what they are reading, recommend texts to others, reflect on their reading habits/patterns, and make good choices of reading material.
  • Classroom instruction has yet to be differentiated enough to fulfill the ever-changing needs of all readers and writers.  
  • Lessons may need to be designed to be engaging for even struggling readers, so it seems like the intervention teacher will be able to supplant what's happening in the classroom with "better" instruction in a "smaller group."
  • In a world of high-stakes tests, perhaps we are inadvertently developing test-takers instead of thoughtful readers and writers, thus limiting authentic experiences in the name of test-prep or crunching time due to an over-stuffed curriculum (Gallagher, 2010).

Food for thought for well-intentioned teachers (virtually everyone I know):  Donalyn Miller discusses the underlying messages that kids receive when they must walk off to another room for reading, while "the other kids" are back in the classroom doing something enjoyable as a literacy-based community (p. 10):

"Reading is fun for people who can read well, but that's not you."

"One day, when you get better at this, you can be a reader; but not today."


If the classroom is a true community of readers and writers, Richard Allington (2012) reminds us of what must take place E-V-E-R-Y-D-A-Y:

1.  Every child reads something s/he chooses.
2.  Every child reads accurately.
3.  Every child reads something s/he understands.
4.  Every child writes about something that is personally meaningful.
5.  Every child talks with peers about reading and writing.
6.  Every child listens to a fluent adult read aloud.

When thinking about what these mean and the time that is actually allocated for such activities, one can surmise what is valued in the classroom.  If a child is asked to "walk out" for any reason while these activities are taking place, how will they ever believe in the power of reading and writing or see it as attainable?  Many strugglers already have "gaps" in their learning; exiting the classroom during reading or writing time only perpetuates the problem as gaps widen.  

As Donalyn wonders (p. 9), "Imagine schools where band, choir, debate, and athletics participants were not given practice time during the school day yet were still expected to perform."  We need protected reading and writing cultures in which the work of all readers and writers are valued.  That starts with the classroom teacher's belief that s/he has something important to offer each child via instruction, time and support in practicing, and a community in which everyone believes that all children can grow and thrive as readers and writers.